Wade | Indian Animated Short Film about Climate Change

Video Overview & Insights

A family of climate change refugees is ambushed by a tiger on the flooded streets of Kolkata.

▶️ WATCH SHORT FILMS ➔ https://shortverse.com

"Wade" from the exciting Indian animation collective "Ghost Animation", is an award-winning post-apocalyptic action animated short that grapples with what the world will look like in the wake of climate change.

A selection of Short of the Week, the web's leading curators of quality short films.

JOIN SHORTVERSE: https://www.shortverse.com/

SUBMIT A FILM: https://www.shortoftheweek.com/submit/

FULL REVIEW: https://www.shortoftheweek.com/2022/04/28/wade/

Subscribe to S/W on YouTube!

Website: http://www.shortoftheweek.com

Instagram: https://www.instagram.com/ShortoftheWeek

Facebook: https://www.facebook.com/shortoftheweek

Twitter: https://twitter.com/shortoftheweek

WADE

A Film by Ghost Animation

Directed by Kalp Sanghvi & Upamanyu Bhattacharyya

https://www.instagram.com/wadethefilm/

"Arriving from India on the heels of an illustrious festival run, we’re pleased to present you the online premiere of Wade, an intense post-apocalyptic animation that showcases its creative team’s fresh design ideas in terms of visual style, worldbuilding, and storytelling, all of which they marry to…a deep sense of environmental conscientiousness?

Set in a future version of their home city of Kolkata which has been made uninhabitable by climate change, the film’s directors, Kalp Sanghvi and Upamanyu Bhattacharyya, craft a moody meditation that imagines survival in a post-disaster landscape, only to then explode the proceedings into a visceral action-thriller. While the film’s setting and supernatural undertones appeal on primal geek levels, and a kickass confrontation with a streak of tigers is unquestionably the heart of the film, Wade manages to transcend its stripped-down plotting and feel more substantive than a simple exercise in badassery. Wade’s initial and patient eye to its flooded surroundings, its thoughtful depiction of the group dynamics within its band of refugees, and the artful and inconclusive ending, all shine in the limited space surrounding its big showcase set-piece. Together, they provide the level of detail and specificity that elevates the action as well as justifies the high-concept climate angle of the film.

Animation and environmentalism have been engaged in a fruitful partnership for the last several years, a mini-trend I noted in last year’s review of the French student film, "Migrants". Animation’s freedom to depict whatever is imaginable with a total disregard for live-action cinema’s need for feasibility or budget has allowed it to be a useful storytelling medium for tackling big abstract concepts like climate change via metaphor or allegory. What distinguishes Wade from the other examples I’ve cited is not only in harder edge (ripped off limbs and infanticide make this a film to keep away from the kiddos) but also its status as a project hailing from Southeast Asia, one of the areas most afflicted already by climate change.

In conversing with Sanghvi and Bhattacharyya it became immediately clear how much this premise really inspired Wade. It was at the heart of the team’s crowdfunding pitch in 2016 when they became the fastest project on the Indian site Wishberry to meet their funding goal, and much of the same reasoning persists in 2022, as the directors noted that,

“While there is a lot of nostalgic storytelling about Kolkata, being a space steeped in centuries-old culture and tradition, not very many stories envision the future of the city. Sadly, Kolkata, along with several other cities in the world like Bangkok, Dhaka, Shanghai, New York, and Amsterdam are extremely vulnerable to rising sea levels…

The more we started thinking about how the whole city was living on borrowed time, almost waiting for an imaginary dam to breach, the more afraid we got. How does our life look after climate change?” - S/W Curator, Jason Sondhi

Reproduced on this channel with the permission of the filmmakers.