I Wish I Knew THIS About Drawing Animals Before I Started Drawing
Video Overview & Insights
Mastering Animal Drawing with Force Sketching Techniques with Dalrek Davis
what brush were you using?
In this video, discover the transformative power of force sketching for animal drawing with Dalrek Davis, Force Animal Instructor. Learn how to move away from stiff, geometric approaches to capturing the dynamic actions and movements of animals. Follow along with demonstrations involving sea lions and bears, focusing on drawing the 'verb' or the actions they perform, rather than just their anatomy. This episode introduces the exciting principles of force sketching and announces an upcoming course on Force Animal Basics. Subscribe for more free content and insights on force drawing.
00:00 Introduction to Force Sketching
00:41 The Key to Dynamic Animal Drawings
01:16 Drawing a Sea Lion: Step-by-Step
Dios mio la figura como un âgusanoâ y la ayuda que esta dando este hombre es de gran importancia para mi, eres increĂble hermano
Gracias por tus clases đđđž
02:14 Applying Force Principles to a Bear
03:34 Exploring a Bear's Clinging Pose
This literally changed everything!!! Thank you so muchâ¤ď¸
05:05 Dramatic Bear Interaction
07:28 Conclusion and Next Steps
Interesting. I like the verb/noun analogy. Makes sense.
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here to be like arthur morgan
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"draw the verb not the noun" THANK YOU THIS HELPS
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Great advice! Iâll try it.
Bree whatâs the name of the background music? I love listening to it while watching you draw
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5:27 "Opponent"? Maybe I'm way off base here (because, admittedly, since the only references we have here are the two ¡roughly¡ equally sized and shaped bearsâŚ), but considering the size of the bears' [¡relatively¡ large] heads in relation to their bodies, does it not seem more like they're just two cubs (siblings, of course) playing in the water? Not to mention that the "aggressing" bear's overall posture seems to be giving off a ¡more playful¡ vibe⌠right? I mean, maybe I'm just being pedantic hereâit's something I'm guilty of engaging in rather often đ âŚpedantry, that isâand it doesn't really have any⌠(ugh =Ă) ¡bearing¡ on the lesson đ I'm just rambling. . . My bad.
Dalkrek's Bluesky
Dalrek (@dalrek.bsky.social)
The main thing that would make my art wayy better is the brush, i use ibis paint and mostly use the basic fade brush, which brush does this video use? That brush would really make my art wayy better
Mikeâs Instagram:
https://www.instagram.com/michaelmattesi/
I want to draw a bear in a cool fighting stance but i can't wrap my head around on how to draw the bear in that particular pose
Swendlyâs Instagram
https://www.instagram.com/swendlybenilia/
I havenât drawn animals in years and are more drawing humanoid figures for concept art. But my 2nd year uni course is coming up for animation about drawing creature designs. So this is so helpful and explain and show so well so thanks for the heads up!
Mritunjayâs Instagram
https://www.instagram.com/mritunjayvarun_/
Thank you for putting that in my brain. đ
More User Perspectives
Gesture drawing is the most important skill to master for drawing living things
@islands-c-opswhat art program do you use?
@kkkkkk-sy6ovas someone who needs to be able to draw the occasional animal for my comic⌠bless this. i donât wanna go crazy on animal anatomy like i do with humans
@deletedchanneloof3994What app is this ?
@BiginnerArtistWow, afta say I never really saw drawing this way. That's so interesting !
It is really helpful, and as we learn you make us go along with you with examples, which is incredibly helpful
Thanks, this as really helped me a lot !
What brush do I use
@ShpeetzI first drew animals using basic shapes and it helped me to learn the proportions but when i want to draw animal in movement i just freestyle because with the shapes it wouldn't give so much movement
@kristinastachova7342love this
@milkbread5036I think the best method for anyone is based on what the drawing is needed for. An Academic artist needing to use technique and form for the sake of realism, think scientific illustration, realism, etc. But for someone like an animator or illustrator, the life is maybe more important. But these examples arenât universal. My main point though is, what makes it most enjoyable?
Being âgoodâ at art should not be the goal for everyone, that isnât the point of drawing unless you want it to be. For casual artists like me, who draw in their free time as opposed to career, the flowy and expressive approach is way more fun to me. Iâm not the best artist, but everything I draw, my goal is to show movement or personality.
Neither idea is wrong, and they arenât the only two approaches. Just go with whatâs best for you and your needs/preferences
this really is a good video can you do one where you draw OVER the photo or maybe overlay it afterwords that'd be exceptionally helpful
@Johnjohn-im7dkBeing dead honest Iâm not seeing at all how this is less daunting than geometric shapes. Like donât get me wrong I can see the appeal but Iâm sure Iâm not the only one who struggles to draw without some sort of guide; I imagine thatâs why itâs the more widespread method taught.
If you ask me, the utilization of both would be the most effective.
As someone who draws animals, yes, all of this! I was taught by Gary Geraths, Aaron Blaise, and Mayuka Thais about everything you discussed! Animals are my comfort.
@astrainspaceI believe that anatomical tiny details aren't as important as the feeling of what you portray. If it's supposed to be straight but looks better curved then so be it.
@kisu_6May the Force be with you
@fixaperThis is amazing! It really helped my sense of action when drawing animals. I think my flaw was that I was drawing them stationary, and not in motion. With your "dramatic bear interaction", it really showed to me the act of moving in a still picture. Fantastic video!! This will help me so much in my journey of creating art. Thank you so much! And if I must ask, what art program do you use? đ¤Š
@LaylaHamilton-z4zWhy is the name in Russian ?.. I've been bullied
@HeDaLuHaPYCCKOMroBopuTblegit good advice
@delfinal7560Drawing cylinders and boxes - geometry. Drawing forces - physics. The latter is better
@tomiokagiyuu1730The thing is...for some reason I have always been drawing animals like that. I never had formal training in drawing except the things i saw along the way somewhere. When i first tried the technique of using shapes it felt quite stiff at first. Following the flowing outlines of the animal is such a natural way, and i think it might feel more natural for beginners too.
@blackhagalazI have a Force drawing membership. When is Force Animal Basics coming?!
@leonyliasthese techniques would be really useful for paleoart
@thylasceneSi⌠hoy much time was before you âdiscoveredâ gesture drawing?
@rubywpnSuch a relatable video! These animal drawing tips are pure gold for beginners. đ Watch our fresh Kids videos for learning and fun
@HappyTotzThis gesture approach is really useful for stylized drawings, but I canât help thinking that itâs been around five years since I first learned about the FORCE theory, and it still feels incomplete or even a bit mystical, rather than a straightforward method.
@henriquefioriniMaybe the geometry based construction isn't a bad idea for developing the sense of forms and how they are connected together for a beginner, then the idea of force lines can come at a later stage of learning process giving the drawings more life. Thanks!
@arsazalthank you this was very helpful, very somple yet very effective!
@JUSTSOMEPAINTER28Why'd you leave linkin park chester
@RaiderSpacerI miss that guy, hes a skilled Force Instructor for animals
@Pen-tabgraphiteIt's cool to see Dalrek again
@lonelyberg1808Excellent video yet again! You guys should do a video on textures (rock, wood, fur) and how that relates to force.
@blastradius9136Alan Watts wouldâbe loved this philosophy on drawing. He spoke/wrote extensively about the idea that what is fundamental is not the substance, the matter that makes up a thing, but the pattern, the doing, the process of being that is recognizable as a distinct phenomenon in & of itself. For an intuitive example, he talked about the nature of a whirlpool, or a candleflame⌠How at any given moment, the actual water & particulates that make up a whirlpool is changing (often the same atoms/molecules will never re-enter it twice, it likewise with the ones flowing through a river)⌠There is no rigid, permanent structure that is âthe whirlpool.â There is just the pattern of âwhirlpooling.â Similarly, the material that makes up a candleflame is rapidly changing from moment to moment. Itâs going through new oxygen as fuel all the time, itâs burning away new parts of the wick⌠But we can easily recognize the familiar shape & luminosity & flicker of a candleflame. What makes it identifiable isnât the stuffâ itâs the âflaming,â the pattern of energy that makes it rise & point upwards, that makes it radiate light & warmth.
Whatâs less intuitive to many people in largely materialist culture (or cultures dominated by dualistic religions that describe the physical world as a craft having been made from âdustâ or âclay,â something inert & solid & crudeâ very much evoking the same notion as mechanistic metaphysical materialism, that if there is some other, more transcendent stuff, like âconsciousness/Mindâ or âspirit,â then the âmaterialâ world is defined very starkly in contrast to that, as everything itâs not) is the idea he follows that up with: that the same is true of our own bodies. Itâs easy to see how it applies to a simple form, like an ocean wave, which is pretty clearly just energy (a wave) displacing substance (the ocean water) into a distinctive pattern, very transiently. But, even though the metabolism of a lifeform is much more complicated, the way we spontaneously arose from the cosmos is really not any different. And heâs right⌠You could make the exact same âship of Theseusâ style argument about us. We are losing cells & atoms all the time, taking in new substance & integrating it as part of our body with every breath, every sip of water, every bite of food⌠Whatâs consistent, what makes us what we are, isnât the exact molecules & atoms that make up our bodies; not the exact trillions of cells & bacteria & so on that we happen to consist of at any given moment⌠Nearly all the cells in our body die off & are replaced numerous times throughout a human lifespan. What is consistent is the pattern. The overall formâ the process of each of us âpersoning.â âJohn Jonesing,â or whatever the role we play in the world happens to be. Our consciousness works the same way; outside influences are flooding into our stream of consciousness at every momentâ a huge volume of sensory data. Memories are made, & ones our brain deems unnecessary are forgotten. Our personality develops & changes over time, along with our preferences, our beliefs, everything⌠But itâs the pattern of our consciousness, the streaming of our perception, our being, that is continuous & ties all of that together, just like the matter that flows through a pattern of âwhirlpoolingâ or âflamingâ or âstreaming, is all tied together & made part of one thing by virtue of participating in that process/form. So, quite fascinating to implement that same lens of awareness in an artistâs effort to capture the nature of the processes/forms theyâre observing.
Can force lines be applied to drawings of geometric objects e.g. buildings?
@coreygraham860Ten minute Force Friday? I got up to get coffee and it was over đ˘
@doncraig6058Finally
@A.s_Rakshas