Ultimate Guide to Camera Lenses — Every Type of Camera Lens Explained [Shot List Ep. 7]
Video Overview & Insights
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00:00 Intro to Camera Lenses
01:15 How Does a Lens Work?
04:05 Extreme Wide Angle
05:58 Wide Angle
07:13 Standard
08:51 Telephoto
10:49 Macro
13:14 Tilt Shift
14:44 Exercise
18:54 Final Takeaways
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Thanks for this guide❤
Chapters:
00:00 Intro to Camera Lenses
When you are saying 18 mm to 24 mm lens
are we talking about full frame sensor or super 35?
cause it's confusing!!!
01:15 How Does a Lens Work?
04:05 Extreme Wide Angle
😂
05:58 Wide Angle
07:13 Standard
Thanks for such a detailed explanation
08:51 Telephoto
10:49 Macro
What a legend. Couldn't have explained it any better
13:14 Tilt Shift
14:44 Exercise
2026 and still learning! thank you for everything you do.
18:54 Final Takeaways
The camera lens is an essential consideration in photography and cinematography. Camera lenses are on the front line of how an image is captured but not all are created equal. In this episode of The Shot List, we’ll walk through the gamut of camera lenses to differentiate both their inherent qualities and how they each tell a different story.
I've been watching your videos and you've taught me so much and I truly love film, so understanding and learning the story behind building these movies, not only is essential but helps me to be a better creator. So thank you for these videos sincerely.
Let’s begin by making an important distinction between a zoom lens vs prime lens. Within each of these categories can be a variety of camera lenses but what separates them has to do with focal length. A prime lens has a fixed focal length while a zoom lens can operate through a range of focal lengths. There are pros and cons within the zoom lens vs prime lens debate, which we will cover in detail in the video.
The different types of camera lenses are mostly divided into categories based on their focal length, measured in millimeters. Focal length is the distance between the back of the lens and the image plane — the shorter the distance, the wider the field of view. For example, extreme wide angle lenses and fisheye lenses capture the widest field of view. The field of view with a telephoto lens is much more narrow but, in exchange, you can photograph subjects at a greater distance.
You missed the anamorphic lens
A standard lens is any lens where the focal length matches the size of the camera’s sensor. This gives the image a “natural” look that best approximates human vision. A macro lens is designed to capture subjects in extremely close proximity. Whereas most camera lenses align their elements perpendicularly to the image plane, a tilt-shift lens has a unique function that can “tilt” or “shift” that alignment. This leads to both subtle and extreme distortions.
Each of these camera lenses has unique properties that shape the look and texture of the image. As you work through your shot list, keep these options in mind and you’ll be that much closer to realizing your vision.
This is the best cinematography channel.
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you forgot anamorphic lenses yo
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top notch content..love it
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Thanks for detailed explaination with examples..really hatsoff to ur dedication and hardwork..
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Where is the anamorphic lens video that was mentioned in this video? Would love to see that one. This whole series is incredible, thank you and well done
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@faybuIs there anyway you guys can link the videos reference in the beginning prefacing understanding this video? Thank you
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@the_king_zafirevery effing video has a clip of love my way Psychedelic Furs, stop it.
@BRNDX-n6dI always love this channel—it’s really educational—but why didn’t you know that the cinematographer of Call Me by Your Name was Sayombhu Mukdeeprom, not Luca, he was a director, no one put his name on dp role…..I think you should mention him.
@tj.771THE PROBLEM WHY MOVIES SUCK: is not the films, it's the filmmakers. Shlubby or skinny, disheveled bearded or balding (hiding it with ballcap), narcissistic, atheistic, with numerous small tattoos on their bodies. When you have a generation of NOT SPIELBERGS but societal clone presses making films that are mean-spirited, dark, pushing extreme of sex and violence, you are void of the films that give us joy with themes like MORALS (remember moral of story, don't hear that too often), levity, hope, mercy, joy, awe and wonderment and heart. YES you can have a little dark stuff as it's "real man" as the films students would say. But enough of these clone films of depress-a-thon cinema (most of the depraved films mentioned over and over in these how-to videos).
@VFXforfilmthank you. These are such entertaining, instructional, and high quality videos. I almost can't believe they are free, so thank you for all the effort you put into making them.
@cookwithkay9376Wow... I feel like ive just drunk lenses and am high as hell
@chinnucutie😂 the narrator would be a great replacement of the great David Attenborough...
@harimathur2191I don’t understand why from 18 to 24, but what are 10, 12, 14 mm lenses? By the way, they may not have distortions.
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@BillapraneethThis vidoe itself is cinematographic in the storytelling from the narrator , the examples used to explain the type of lenses. I enjoyed every bit of the video. My key takeaway elements from this video is simplicity and Storytelling. You have gained a subscriber from nigeria 🇳🇬 ❤.
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@SEDRICKHENDRIXTHEGAMERYou left the anamorphic lens.
@austin-91Thank you so much ❤
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@martinhristov02Now I know why I got a headache after watching Birdman 😂😂
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@zenomichiWhere can I find the Shot list that corresponds to the video as described in the intro? "Which you can download and reference in your upcoming projects."
@SmyrnaBulldogGreat Information.
@UltimateMedia-TVThanks I have learn a lot of things to you
@pascalkahindo4509Wonderful narrator!
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